YLA’s Fall 2025 Edition: Where Metal Learns to Breathe

As Dubai’s design scene shifts into a new season, YLA introduces its Fall 2025 Edition, expanding on its exploration of metal as a material that holds both strength and sensitivity.

Building on the success of its debut Audace Collection, the new pieces continue to redefine what contemporary metal furniture can feel like — elemental, emotional, and endlessly evolving.

“Every season tells a story of evolution, bringing new shades, shapes, and emotions,” says Benoît Rondard, founder of YLA. “For Fall 2025, the story is one of depth, balance, and duality — between nature and design, between the calm of introspection and the vibrancy of renewal.”

A Palette of Change

This edition introduces two new signature colors — Sienna Ochre and Moss Green — each chosen for its emotional resonance. “Sienna Ochre reflects the warmth of autumn and the golden calm that comes with change,” explains Rondard. “Moss Green embodies constancy, grounding, and quiet strength — a timeless hue that connects design back to nature.”

Through these shades, YLA continues its mission to create a dialogue between material and emotion — between the rawness of metal and the softness of the human experience.

The Art of Living Material

Led by French designer Rémi Damilleville, the Fall 2025 Edition celebrates metal’s tactile depth and versatility. “Metal is a living material,” Damilleville notes. “It holds memory, it reacts to light, to touch, and to time. It’s a dialogue between the artisan’s hand and the material’s will.”

Each piece is crafted and hand-finished in Dubai, where artisans use layered matte finishes and subtle texturing to capture light and motion — creating furniture that feels alive, even in stillness.

Emotion in Structure

For YLA, design has always been about feeling as much as form. “Luxury is about intention,” says Rondard. “It’s about how a piece makes you feel in its presence — grounded, calm, connected.”

Through its Fall 2025 Edition, YLA continues to transform metal into emotion, movement, and memory. These are objects designed not only to inhabit space, but to shape it and add rhythm and reflection to the way we live.

As Rondard concludes, “Design is a language of transformation. We want YLA to be a reminder that even the strongest materials can hold tenderness, and that beauty, like metal, is born through time.”

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